Thursday, 21 February 2008
Closing the Copenhagen Chapter of my Professional Experiences
When I arrived in Copenhagen, the days seemed to last forever, and my six-month stay sounded like it would last an eternity. However, I filled those days with interesting work projects, travel around Europe, adventures in Denmark and other new activities.
The main purpose of my ‘externship' was to gain an international perspective on structural engineering and act as an ambassador for my American company. From the start, every new engineering task introduced me to another construction technique or analysis method. I had never heard of elemental walls or SWT beams even though they are extremely common in European construction. It was humbling to realize that I would have to retrain myself to use the Danish building codes and design methods. However, my teammates were especially helpful and patient, as I delved deep into design theories like the Stringer method and modeling programs like Robot.
After gaining confidence with the Danish building code, I had the opportunity to work on a schematic design of the new Parken Arena - a new multipurpose arena adjacent to the national soccer stadium. The radical designs proposed by the architects really stretched my understanding of Danish construction. However, I felt that I was able to contribute some American ingenuity to the process. I was similarly challenged by my last project, the Ørestaden Overdækning, in which we designed a platform for a new hospital above a busy six-lane highway and railroad. I enjoyed working with my Danish team to find structural, and sometimes architectural, solutions to the complex problems.
The biggest challenges that I faced this past year came outside of the office. My wife and I eagerly committed ourselves to the difficult task of learning Danish. After several months of lessons, we were able to use some basic language skills in everyday situations. Other experiences, like orienteering, a 5k run, fishing in Helsingør, and a go cart grand prix, presented different kinds of challenges but were equally rewarding. These events reinforced the importance of growing a personal bond with my coworkers who always encouraged me to try new things.
In between accepting new challenges from my colleagues, I used free weekends to see as much of Europe as possible. These short adventures took me to Ireland, Belgium, France, Germany, Austria, Norway, Sweden, England and, of course, Denmark. From Billund to Møns Klint, we found Danes eager to share the history and hospitality of their country. I feel that these travels have given me a much broader understanding of the world and will help me become a better citizen of the world.
I am writing this final chapter from my office back in Chicago. Already, my Danish experiences are fading into memory, but I know that I made the most of my opportunity. I would like to thank everyone who helped make my stay a memorable one, especially my colleagues in the Ballerup Konstruktion Gruppe. Det var fantastisk!
Many thanks also to those of you who have read this blog and left comments over the past months. This concludes the "Six Months in Copenhagen" blog. However, I am planning to continue writing for ASCE. In about a month, I will pick the pen back up and continue sharing my experiences as a Younger Engineer.

A couple of weeks later, I received an enthusiastic phone call from the director's assistant. We were booked to sail the English Channel on something called a trimaran. It appeared that they took some comparisons between ships rigging, outriggers and Taipei 101's lateral system quite literally.
When I arrived at the dock for filming, the boat, with outriggers retracted, was wedged into an impossibly small space. After a few takes that introduced the host and me to the ship, we headed for open water. Of course, the first step was to extend the outriggers.
Boring dialogue out of the way, the captain of our ship asked if it was time to do some yachting. It only took a few minutes to raise the sail, and we were off. In about 10 seconds we went from zero to 12 knots - entirely under wind power. It was amazing! We quickly passed a conventional sailboat heading back into the harbor. The captain turned to us and said, "Now I think the impressive thing to do would be to turn around (into the wind) and blow by that other boat again."
He casually instructed the rudder-man to turn the ship around while he prepared the sails. In one violent moment, the wind switched to hitting the opposite side of the sail and the lower cross-member swung wildly across the boat. A few adjustments later we were rapidly accelerating. The captain adjusted the sail tension for maximum power. The far outboard pontoon rose several feet out of the water as the center of gravity shifted away from the center; however, the opposite outrigger did its job and maintained our stability. Within moments we were topping 15 knots - into the wind!
I arrived at London's Victoria station, in the historic West End (theater district). The hustle and bustle of the city's stations as portrayed in the movies is no exaggeration. Pausing momentarily for any reason is sure to illicit getting run over by the mob of programmed commuters. Having arrived by a conventional commuter train, I navigated through the crowds to the Underground (subway, a.k.a. the Tube). The trains were just large enough and fairly clean. I had to laugh at the friendly pre-recorded voice at every station that reminds you to "mind the gap" between the train and the platform.
My wife and I received a warm reception from our hosts, but we had a lot more on our itinerary. Returning back to the West End neighborhood, we started on a whirlwind tour of the city. From the station we walked north to Buckingham Palace. A crowd gathered at the gates as some dignitaries were leaving the palace. Some people whispered rumors that Prince Harry was in attendance. You really can't get very close to the palace because of security concerns. And having been around Europe over the summer, the parading guards seemed ‘old hat.'
Nearby Westminster Abbey is a true gothic structure. Parts of the cathedral date back to the 13th century. English monarchs are traditionally coronated here. Across town, the infamous Tower of London is even older. This ancient fortress was originally commissioned by William the Conqueror in the 11th century. It has most famously been used to hold prisoners of 'high status' including St Thomas Moore, Sir Walter Raleigh and the future Queen Elizabeth I.
The final stop on our whirlwind tour of London took us over the Tower Bridge. Often confused as London Bridge (which now actually resides in Arizona), the Tower Bridge is famous for the bascule towers that permit the raising of the bridge for ships to travel past. From the pedestrian walk on the bridge, we had a nice final view of London. The contrast between old and new architecture was especially apparent from that vantage. It provided a final reminder of the challenges faced by European cities to preserve their history while preparing for the future.
Finally, I was up. I began my presentation with a short personal introduction - in Danish! It must have gone all right, because I was rewarded with a round of applause. I thanked the audience saying, "I figured that an American speaking Danish might be more impressive than the rest of my presentation." Throughout my talk, I tried to throw in more humor. When talking about the 'mega-structure' and 'super-columns,' I said that Americans are just in the habit of 'super-sizing' everything. That elicited more laughter.
I began by creating a plan drawing for each unique floor, starting at the foundations and moving up 20 stories to the roof. We made our best educated guess about the shape of the plan; no architect has yet weighed in on the design. The goal of these drawings was to show all of the major structural components, ie. beams, columns and walls.
I found my way out of the maze of streets and headed up a hill north of town to Paul Cezanne's workshop. This impressionist artist was unquestionably the most famous resident of Aix-en-Provence. Late in his career, he built a workshop on the outskirts of town. The grounds of the workshop are still nicely kept with plants and flowers; however, only one room in the workshop is open to the public. The space is dominated by a huge window facing up the hill. Many of the actual objects featured in his still life paintings are on display. However, his most famous and inspirational paintings are of Mt. St. Victoire. The best vista is just a 15-minute walk from the workshop.
The Roman Amphitheater or Arles sits at the highest point in the city and still dominates its surroundings. Amazingly, even though the structure was built in 90 A.D., it is still being used today - regularly showing bull fights since 1830. The monument is 136 m (~450 ft) long and is ringed by 60 arches. Twenty thousand spectators could have been comfortably seated to watch gladiator duels and exotic animals fight. In the middle ages, the structure was converted into a fortress. At that time, over 200 homes and two churches took up residence within the friendly confines.
I entered through the front gate, just like a typical Roman would have done. It wasn't hard to imagine the bowl filled with thousands of spectators. I hiked up to the top of one of the medieval towers for a bird's-eye view. From that vantage, I could see all of Arles, and I imagined how medieval watchmen would have been able to spot invaders from miles away. Only a slight metal grandstand reminded me that it was 2007. Having worked on some stadiums back home, I was surprised by how little the basic arena concept has changed.
Entertainment may have been for special occasions, but every afternoon, the Roman population would visit the baths. The process included a sauna treatment, hot bath, lukewarm rinse, some laps in the swimming pool and finally a massage. Much of the Roman baths of Arles remain to this day. Unfortunately, only a half-dome remains of the roof, and most of the floors are also gone. This allows modern visitors to walk through the ancient furnace rooms.
"To be or not to be - that is the question." Did you know that Shakespeare's Hamlet is set in a Danish castle that you can actually visit? It's located at the nearest point between Denmark and Sweden in a town called Helsingør, just about an hour north of København. I headed there on a fishing trip sponsored by my Danish company. We trolled the narrow strait for about four hours on a ship called the Havet, meaning "the sea," before returning to land for a brief tour of the city and castle.
The design of artillery fortifications required skilled designers, basing their designs on effective geometry and the physics of projectile motion. A French engineer, named DeVauban, was the most prolific fortress designer in history. He is credited with having designed or improved hundreds of defenses. His military engineering success enabled him to rise from ‘rags' to achieve the highest military rank possible in France.
The attackers would first approach a gently sloping plain called the glacis. It sloped away from the fortress, giving the defenders a clear open view of the attacker's positions. Any invading army had to carefully consider where to set up camp, or become target practice for the defending batteries. The attackers would advance over the glacis with a zig-zag series of trenches. A proper trench also required relatively skilled military labor.
We have seen many well preserved fortresses on our trip, at Malmö, København, Kinsale, and Helsingør. These fortresses greatly influenced planning of nearby cities. In several circumstances, the water and transportation infrastructure built for the fortress also enabled the nearby cities to grow. The complexity of fortress design required engineering professionals. In times of peace, these engineers worked on civil projects - "to be... civil engineers."
To kick-off work on the project, I visited the site with one of my colleagues. We arrived on site by driving along the very highway that we're planning to cover. We parked the car at an adjacent construction site. From there, we had a good view of the highway and train lines. We unfolded a 1:200 scale drawing of the site that my colleague had prepared. It stretched over seven feet long. Using existing structures for reference, we visually confirmed the location of existing overpasses, road and railways, and the elevated Metro rails.
After getting our bearings, we decided to walk the entire perimeter of the site. I took a ton of pictures; you really can't take too many. When we got back to the office, I tried to draw the conceptual structure on the existing photographs. My first attempt was to sketch in the structural supports that land in the median of the highway. I struggled drawing the objects with the appropriate height and view perspective. In the end, I was pleased with my attempt to take the train platform and show what the environment might look like after being covered with the huge platform.
Despite its small size, Denmark has a long history and a surprisingly diverse geography. The country has inspired a number of great ideas, including the Viking's long boats, Hans Christian Andersen's fairytales and LEGOs - my favorite toy. It was a goal of mine from the start to really get to know the country, not just Copenhagen. Over the months, my wife and I took several weekend trips to see the country, looking for our own inspiration.
If you really want ancient history, though, you need to head to the island of Møn. A national park on the east end of the island protects millennia-old chalk white cliffs. Visitors can descend hundreds of steps down a steep ravine to the best lookouts and the rocky beach. The opportunity to view the picturesque sight of the sheared chalk face against a blue sky and green sea backdrop is worth the long hike back up to your car.
While H.C. Andersen might be the world's most famous Dane, LEGOS are surely their most famous export. Billund, located in the center of Jutland, is home to the LEGO world headquarters and the original LEGOLand - and that's about it. Americans hoping to find a park like Cedar Point or Six Flags will be disappointed by the modest park and its child-oriented rides. The main attractions for the adults are the hundreds of LEGO models, ranging from detailed cityscapes to giant LEGO dragons. Thrill seekers are rewarded with one ride that allows you to program your own violent and nauseating ride into a hydraulic arm.
The Louisiana Museum of Modern Art, near Copenhagen, is currently showing an exhibit inspired by the works and philosophy of a structural engineer named Cecil Balmond. He works for one of the largest structural consulting companies in the world. Balmond's unique and forward thinking approach to building design has drawn collaboration with some of the most creative modern architects. In many of his projects, it is difficult to discern where the architectural concepts stop and the structural mind takes over.
Instead, it begins by deconstructing Balmond's ideas to the basics of numbers and geometry. You are first introduced to the symbolism inherent in the first nine digits. For example, in western culture, the number five evokes association with mysticism, as represented by the five pointed pentagram. From numbers, you graduate to geometry and the so-called golden rectangle. This rectangle is proportioned so that the long side is equal to 1.617 times the short side. You can apply the golden rectangle with some imagination to classical art like Michelangelo's David, the Cathedral of Notre Dame and even modern skyscrapers.